![]() And the tale was ably illustrated with a memorable black and white video that had Ali Campbell on a night out that boiled down to him getting robbed and then ejected from a pub for getting too pissed after seeing his ex with another bloke. Rap/toast shoehorned in toward the end and which stands out awkwardly and is as welcome as finding a hair in your food it's neither needed nor wanted and only serves to disrupt the 'till then grooving ambience of a song that tells the familiar tale of trying to drown a departed lover's memory in alcohol. Your kind of loving like a blessing from above" "Red red wine you really know how fi love The only major departure from both these versions is the: UB40 redress the balance by slowing down the rhythm to match the speed of the vocal so that both run in harmony. It literally sounds like it was intended for a different tune altogether. This results in it sitting so far behind the beat that it's constantly playing catch up. In Tribe's hands, 'Red Red Wine' plays as a musically fast skank with his voice closely mimicking Diamond's original guide vocal. Tony Tribe gave it a rocksteady makeover in 1969 and it's this version that UB40 based their single on rather than Diamond's (which they claim not to have heard previously), making it a cover version twice removed. Which, to be fair, is what Neil does best. And he wrote it as a typically brooding, overwrought ballad for him to angst all over as if the end of the world was imminent. As unlikely a credit behind a reggae hit as you are ever going to find, Mr Neil Diamond was the writer of 'Red Red Wine'. ![]()
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